09 February - 08 April 2017

Massimo De Carlo, London

 Massimo De Carlo London is pleased to present When I Felt Like I Could Sing That, Then I Felt Like I Was In, an exhibition by Tony Lewis that will present a new body of work, shown for the first time. 

Tony Lewis’s practice focuses on the relationship between semiotics and language: graphite pencil and paper are the mediums the artist uses to trace and create abstract narratives and reflections on the notion of the gestural. When I Felt Like I Could Sing That, Then I Felt Like I Was In embodies the artists’ research for pure abstraction: tracing the conclusion of a research process that started in his earlier series of drawings titled Gregg Shorthand.

This new body of work, where graphite and coloured pencils generate impulsive and rhythmic shapes on paper, is intended by Lewis as a further exploration of the Gregg Shorthand system* and its connection to sound, speech and pulse. In this series of drawings seemingly simple abstractions conceal intricate narratives, “beginning with a phoneme gesture as the systematic foundation (of the drawing), the coloured pencil works to support, react to, and riff off of the initial rhythm put forth by linguistic sound, creating a sequence of improvisation, and a diagram of cosmic libido.” Each drawing in the exhibition results as a take on planned yet raw abstraction. Fragments of phonetics and colour form a visual and musical composition of chatter and shapes, which merge together to offer a reflection on the convergence of sound, language and tones. 

Tony Lewis, Ts, Ts, Tsss, 2016 (Detail)

Tony Lewis was born in 1986 in Los Angeles, and lives and works in Chicago. His solo exhibitions include: Alms, Comity and Plunder, Museo Marino Marini, Florence, Italy (2016); Pressure Free Weight Power Nomenclature Movement at the Museum of Contemporary Art Cleveland in Cleveland (2015); Bindery Projects, Saint Paul, Minnesota (2013). Tony Lewis has taken part in group shows among which: The Revolution Will Not Be Gray, Aspen Art Museum, Aspen (2016); Walls and Words, Elridge Street Synagogue, New York (2014); LUMP Projects, organized by John Neff, Raleigh (2013); News from Chicago and New York City, Feibach, Minninger, Cologne (2012); People of Color, Gene Siskel Film Center, Chicago (2012); Ground Floor, Hyde Park Art Center, Chicago (2012). Tony Lewis has participated the 2014 edition of the Whitney Biennial at the Whitney Museum of American Art in New York.


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