10 October 2020—14 March 2021
Centro Botín, Santander, Spain.
This exhibition brings together a selection of works by artists who once directed a Fundación Botín visual arts workshop and exhibited their work in Santander, as well as some by former recipients of the foundation’s visual art grants. It explores the influence of architecture on art, and offers reflections on how architecture also shapes human lives and structures social interaction.
The histories of art and of architecture are intrinsically linked. Over the course of time, artists and architects have collaborated, the former painting frescoes and/or producing wall reliefs and sculptures inside buildings imagined by the latter. The advent of the museum — a public space whose sole function is to collect, conserve, and present art —modified the dynamics of that relationship. Indeed, if the building becomes the repository of the work of art, the question of its importance as a context becomes more salient. This is even more so when an architect of renown conceived the building for that purpose, as is for instance the case with Centro Botín.
Leonor Antunes, Discrepancias with Oaxaca textile, II 2018.
Architecture into Art: a Dialogue is the first exhibition to engage in a dialogue with the Centro Botín building, which has become an instant landmark on the Santander waterfront from the moment it opened in 2017. It also addresses the somewhat ambiguous relationship artists maintain with the architects who fashion the space in which they present their work; and the no-less ambiguous status of “starchitects”, who are often regarded as artists.
Works by: Leonor Antunes; Miroslaw Balka; Carlos Bunga; Martin Creed; Patricia Dauder; Fernanda Fragateiro; Carlos Garaicoa; Carsten Höller; Julie Mehretu; Jorge Mendez Blake; Muntadas; Juan Navarro Baldeweg; Sara Ramo; Anri Sala; Juliao Sarmento.