Oscar Murillo - Going Forth: Institute of Reconciliation

15 September 2017 – 18 March 2018

Haus der Kunst, Munich

 

Going Forth: Institute of Reconciliation is a major survey of new work by Oscar Murillo that has been created specifically for Haus der Kunst. 

Synthesizing ideas Murillo has been developing over the last four years, the exhibition features whole room installations, integrating video, painting, drawing, sculpture, and performative elements. Also included is a presentation of Murillo's ongoing Frequencies project—a collaboration between the artist and his family, the sociologist Clara Dublanc, and schools in different countries where children are encouraged to leave their marks on canvases that have been stretched over their desks.

Installation view of Oscar Murillo. Going Forth: The Institute of Reconciliation, Haus der Kunst, Munich, 2017. Photo Maximilian Geuter

 

Within only a few years, Oscar Murillo has developed one of the most exciting contemporary artistic practices. While he primarily uses the medium of painting, he defies its conventions in a radical way: he integrates video and drawing, sculptural, installational and performative elements within his presentations, which are inherently intense, immediate and visceral. In Oscar Murillo’s installations, the viewer finds himself within an intelligent, highly aesthetic and simultaneously existential interplay dealing with the understanding of work and play, production and consumption, original and appropriation, center and periphery, as well as the relationship between material and transcendence. While a few years ago Oscar Murillo’s projects often bordered on social experiments, his latest installations are distinguished by a tentative exploration of space through gestures (in painting), and therefore by historical, economical, societal and philosophical associations. His expansive, extremely dense installations comprise heavy, partly torn and resewn canvases. Painted with black oil paint and draped on steel constructions that recall autopsy tables, or hung like laundry on clotheslines, they reorganize space. Scales hung from industrial hooks, akin to memento mori, conduct a  taxonomy of measurement. A mix of clay and corn adds unwieldy sculptural touches, like vital signs. Floor, walls, the room itself and the intricacy of perspectives within it merge into a vibrant constellation, a metaphor for transformation itself. The joy, intensity, and fragility of life, with all its irreconcilable simultaneities, become visible, palpable. 

hausderkunst.de

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